Low Dream
Marcadores: Low Dream, • brazilian, • shoegaze
Brincando de Deus
Marcadores: Brincando de Deus, • brazilian, • shoegaze
LIBROS CON LLAVE DE SOL
Dedicated to opening melodic structures between caps of noise.
http://dzoomusicabanda.blogspot.com/
http://librosconllavedesol.blogspot.com/
REINOS
300MG
Marcadores: d-zoom, • electronica, • noise, • punk-rock
D - Z o o m
Marcadores: d-zoom, radio AM, • electronica, • noise, • punk-rock
Submarine
Richard Youngs
Sapphie (1998)
rym
Seldom will you come across an album with such bare honesty and drifting loneliness as this, and if you do - feel very sorry for its creator. (sputnikmusic)
Doctors
Johnny Raper
God Destroyer
Current 93
Sleep Has His House (2000)
like a meditation. like a surface of ocean. forever restless but seeming calm from a far. like it's noise that is heard to many but only few ever really listen to. (rym)
Planning for Burial
Leaving (2010)
From enemieslist:
“Remember Explosions in the Sky’s most recent album, All of a Sudden I Miss Everyone, and how it was dreary for a band known for uplifting songs? Planning for Burial is that, amplified by a million. Piano and organ are peppered in here and there, and when they’re used, you’re in for some real fucking funeral music. These elements most stand out during Leaving’s closer and title track, which is a little over 13 minutes of unadulterated, melancholic drone. Lustmord may take you to the depths of hell, but Planning for Burial, with this track, take you into cold space, hovering over all that once was.” – Crustcake
“Leaving is quite possibly the most amazing record ever to mix shoegaze, metal, doom, drone, and everything beautifully badass. Seriously epic songs that fill your heart with joy and make your ears fucking bleed. Crank this motherfucker up and let the bliss wash over you while you bang your head.” – Anti-Gravity Bunny
“Planning For Burial bring together drone and shoegaze, this time with little splashes of doom metal and black metal. Bringing to mind Jesu, Pyramids & Nadja and My Bloody Valentine as well as the dreariness of Explosions In The Sky’s All of a Sudden I Miss Everyone, this album is, much like HANL’s perfect Deathconsciousness, overflowing with emotion, almost to the point of being exhausting. I very strongly recommend this album, because it is definitely one of my favorite releases this year.” - Shock Mountain
Pop Dell' Arte
02 Simeon (You started something I want to finish now)
03 Slave for Sale (Remix 2011)
04 Querelle
05 Avanti Marinaio
06 Sonhos Pop
07 No Way Back
08 Janis Pearl
09 Lady Godiva´s Operation
10 Electric G.
11 So Goodnight
12 Poppa Mundi
Pop Dell' Arte Web Site
Paavo

[2007]Self-Titled, Rate Your Music

[2010]Canço del Paó, Rate Your Music
Marcadores: Paavo, • avantgarde, • avantgarde jazz, • free jazz, • vocal jazz
Osvaldo Golijov
(2002) Yiddishbbuk (St. Lawrence String Quartet) / V0
review info
Marcadores: Osvaldo Golijov, • argentina, • classical, • klezmer, • tango
thje
Marcadores: thje, • ambient, • experimental, • noise, •shoegaze
Luciano Cilio
(2004) Dell'Universo Assente / V0 / Anthology
Compiles the 1977 album 'Dialoghi del Presente' plus extra tracks.
(...) "essentially self-taught concerning the music composition" focused his research on long sustained sounds, on the sound in its primary and ‘internal’ meaning, at the outset on the melodic, rhythmic and harmonic entities, to "re-enter in the sound, to hold it, to hold it... then to leave it to go”.
In this record Luciano Cilio plays as a multi-instrumentalist, performing on piano, guitar, flute, bass and mandola, also joined by musicians coming from different experiences and areas. Unexpected, in 1983, the death in suicide, at crest of his career, but also at crest of a production shuddering into silence.
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Andrea Belfi
(2008) Knots / V0
Knots, the new album from Milanese percussionist Andrea Belfi, is broken into four untitled parts. They are similar in palette, but each has its own discreet gloom and web-work of tactile rhythms. While his last record, 2006's Between Neck & Stomach, boasted diffuse little symphonies brisling with brass shards, lattices of guitar (courtesy of 3/4hadbeeneliminated's Stefano Pilia), accordion whiffs and even splintered voices, Knots wears its white space well. It's far sparser but no less beguiling. Contrary to its title, this is fluid music, as agile in laying out its coordinates as it is scrambling them.
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