Dedicated to opening melodic structures between caps of noise.
“Remember Explosions in the Sky’s most recent album, All of a Sudden I Miss Everyone, and how it was dreary for a band known for uplifting songs? Planning for Burial is that, amplified by a million. Piano and organ are peppered in here and there, and when they’re used, you’re in for some real fucking funeral music. These elements most stand out during Leaving’s closer and title track, which is a little over 13 minutes of unadulterated, melancholic drone. Lustmord may take you to the depths of hell, but Planning for Burial, with this track, take you into cold space, hovering over all that once was.” – Crustcake
“Leaving is quite possibly the most amazing record ever to mix shoegaze, metal, doom, drone, and everything beautifully badass. Seriously epic songs that fill your heart with joy and make your ears fucking bleed. Crank this motherfucker up and let the bliss wash over you while you bang your head.” – Anti-Gravity Bunny
“Planning For Burial bring together drone and shoegaze, this time with little splashes of doom metal and black metal. Bringing to mind Jesu, Pyramids & Nadja and My Bloody Valentine as well as the dreariness of Explosions In The Sky’s All of a Sudden I Miss Everyone, this album is, much like HANL’s perfect Deathconsciousness, overflowing with emotion, almost to the point of being exhausting. I very strongly recommend this album, because it is definitely one of my favorite releases this year.” - Shock Mountain
(2004) Dell'Universo Assente / V0 / Anthology
Compiles the 1977 album 'Dialoghi del Presente' plus extra tracks.
(...) "essentially self-taught concerning the music composition" focused his research on long sustained sounds, on the sound in its primary and ‘internal’ meaning, at the outset on the melodic, rhythmic and harmonic entities, to "re-enter in the sound, to hold it, to hold it... then to leave it to go”.
In this record Luciano Cilio plays as a multi-instrumentalist, performing on piano, guitar, flute, bass and mandola, also joined by musicians coming from different experiences and areas. Unexpected, in 1983, the death in suicide, at crest of his career, but also at crest of a production shuddering into silence.
(2008) Knots / V0
Knots, the new album from Milanese percussionist Andrea Belfi, is broken into four untitled parts. They are similar in palette, but each has its own discreet gloom and web-work of tactile rhythms. While his last record, 2006's Between Neck & Stomach, boasted diffuse little symphonies brisling with brass shards, lattices of guitar (courtesy of 3/4hadbeeneliminated's Stefano Pilia), accordion whiffs and even splintered voices, Knots wears its white space well. It's far sparser but no less beguiling. Contrary to its title, this is fluid music, as agile in laying out its coordinates as it is scrambling them.
The music can be a little primitive, but Marika Papagika left a legacy of Greek folk music, rebetika, and light popular music that is unrivaled by very few artists of the day. David Soffa did an excellent job of picking out her most popular recordings primarily from the late 1920's. This is a priceless look at Greek Music in the United States during the 1920's.
(1994) Marika Papagika: 1918-1929 / 320k
download (part 1 / part 2)
(2008) Adam Cornelius - People Who Do Noise
People Who Do Noise is a film about the experimental music of Portland, Oregon. Extensive interviews and intimate performance footage provide an intense portrait of the motivations, emotions, and ideas that go into this uncompromising, sometimes brutal musical form. Unwavering in its focus, the film brings to light an art form unfathomable to many, with only the words of the musicians themselves providing any explanation for the pulsating sonic chaos they create.
most inaccessible of genres.
Featuring performance footage and interviews with :
GOD (bryan eubanks and leif sundstrom)