Bill Fay

An aspect of this album that does not sound like either Bob Dylan or David Blue is the odd orchestration, which toes an uneasy line between the sort of stately, Baroque classicism heard in some of Nick Drake's arrangements and cheesy easy listening. It's usually delivered with a somber, earnest air, with the intent of someone who believes he has something very important to impart, but really isn't too interesting.

(1970) Bill Fay / V0
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